goneforsoldiers

Reflections on the common soldiers of the American Civil War

“Little Photography in Jeffdom:” The Decline of Photography in the Civil War South

Yesterday, the Emerging Civil War Blog posted a short piece I wrote on the decline of photography in the American South during the Civil War. Though the South already lagged behind its northern counterpart during the antebellum era, a multitude of factors caused by the Civil War severely constrained photographic creativity in the Confederacy.

Please read more here.

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Two unidentified Confederate soldiers, 1861-65, hand-coloured ambrotype, courtesy of the Library of Congress

 

Thomas Nast’s Divided Christmas

Yesterday the Emerging Civil War Blog wrapped up their Civil War Christmas coverage with an article I wrote examining Thomas Nast’s Christmas Eve illustration. You may find the article here.

Best wishes for 2016!

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Thomas Nast, Christmas Eve, 1862, wood engraving on paper, Harper’s Weekly, January 3, 1863, courtesy of the Metropolitan Museum of Art

United States Colored Troops Blog Series

I recently wrote a series of blog posts on four regiments of the United States Colored Troops for the University of Nottingham’s A View from the Arts site. These pieces expand on previous work I have conducted on the regimental flags produced by the African American artist David B. Bowser, and are available at the following links:

The 3rd United States Colored Troops

The 22nd United States Colored Troops

The 24th United States Colored Troops

The 45th United States Colored Troops

David B. Bowser, ‘Rather die freemen than live to be slaves – 3rd Regt. US Colored Troops.’, photograph of regimental flag, Library of Congress, http://www.loc.gov/pictures/resource/cph.3a24166/

David B. Bowser, ‘Rather die freemen than live to be slaves – 3rd Regt. US Colored Troops.’, photograph of regimental flag, Library of Congress, http://www.loc.gov/pictures/resource/cph.3a24166/

“The Land Entire Saturated”: Commemorating the Civil War Dead at 150 years

Today the United States Studies Online Network posted a piece I wrote on the commemoration of the Civil War dead. Please click here to read it.

'Burying the dead on the battle-field of Antietam', albumen silver print on card mount, Library of Congress, http://www.loc.gov/pictures/resource/ds.05180/

‘Burying the dead on the battle-field of Antietam’, albumen silver print on card mount, Library of Congress, http://www.loc.gov/pictures/resource/ds.05180/

“This Preparation of Husks”: Desiccated Vegetables and the Union Army

Please click here to view a short piece I wrote on dessicated (‘desecrated’) vegetables in the Union Army during the Civil War for the Emerging Civil War Blog. It briefly explores their introduction, use and reception.

'Camp of 71st New Vols. Cook house Soldiers getting dinner ready. (200 Excelsior).', image on glass, wet collodion, Library of Congress, http://www.loc.gov/pictures/resource/cwpb.01678/

‘Camp of 71st New Vols. Cook house Soldiers getting dinner ready. (200 Excelsior).’, image on glass, wet collodion, Library of Congress, http://www.loc.gov/pictures/resource/cwpb.01678/

“With Great Steadiness and Courage”: The 22nd United States Colored Troops, 1864-5

The 22nd United States Colored Troops were organised at Camp William Penn near Philadelphia, Pennsylvania between the 10th and 29th of January, 1864. Their white colonel was Joseph Kiddoo. Kiddoo had enlisted as a private in the 12th Pennsylvania in 1861 and brought experience to the regiment gained from leading the 137th Pennsylvania and the 6th U.S.C.T. The narrative of the regiment illustrates the desire of many black troops to shun the tedious manual labour that they often found thrust upon them and to embrace to the opportunity to conduct themselves honourably on the battlefield, regardless of the cost.

The celebrated African American abolitionist Frederick Douglass encapsulated ideological beliefs held by the men of the U.S.C.T. in a speech in Rochester, New York in 1863: “Who would be free themselves must strike the blow.” Those who enlisted were the “powerful black hand” of the imperilled nation, and he called upon them to “smite with death the power that would bury the government and your liberty in the same hopeless grave.” Military service offered blacks the opportunity “to end in a day the bondage of centuries, and to rise in one bound from social degradation to the plane of common equality with all other varieties of men.”[i] Proving their ability as soldiers linked inextricably to proving that they deserved liberty and citizenship.

Black regiments often formed two extremes of the Union Army’s operations. Repeatedly relegated to support roles as labourers; their fighting ability was doubted by many whites. When finally employed in combat, they were in several instances engaged in the most dangerous areas of battle. They received little quarter from the enemy. An article in the Daily Richmond Enquirer following the Battle of the Crater of July 1864, in which many surrendering black soldiers were shot down by Confederate soldiers, illustrates the attitude and policy towards the U.S.C.T. “We regret to learn… some negroes were captured instead of being shot” the newspaper declared, “butcher every negro that Grant hurls against [our] brave troops and permit them not to soil their hands with the capture of one negro.”[ii]

Alfred R. Waud, 'Scene of the explosion Saturday July 30th', July 30, 1864, drawing, Library of Congress, http://www.loc.gov/pictures/resource/ppmsca.20996/

Alfred R. Waud, ‘Scene of the explosion Saturday July 30th’, July 30, 1864, drawing, Library of Congress, http://www.loc.gov/pictures/resource/ppmsca.20996/ – Black troops were the victims of atrocities in this engagement, and in others; such as Fort Pillow

The 22nd Colored Troops received orders at the end of January to move to the front and to join the Army of the James, under the command of General Benjamin Butler. The regiment went into camp near Yorktown until the spring campaign, receiving drill instruction in manoeuvres and firing. However, for the first portion of their service their most prevalent instruments were shovels and picks. First posted at Wilson’s Wharf on the north side of the James River, the 22nd constructed earthworks to protect supply transports. They repositioned to the south side of the James and once again found themselves employed in constructing defensive works. Here they also participated in the preparation of the Army of the Potomac’s crossing of the river on its arrival from the Wilderness Campaign. At this point, the 22nd “handsomely repulsed” Confederate cavalrymen from Richmond in a “spirited engagement.”[iii]

Once in combat the 22nd gave a fine account of themselves, though often at a great cost. On the 15th of June the 22nd led the charge of General “Baldy” Smith’s XVIII Corps offensive against the Confederate defences at Petersburg, taking 6 of the 7 artillery pieces captured by the 1st Division and 2 of the 4 forts.[iv] The Philadelphia Enquirer noted the regiment “lost a considerable number of men.”[v] Charles R. Douglass, son of the prominent abolitionist and a first sergeant in the 5th Massachusetts Dismounted Colored Cavalry, left an account of the Colored Troops in the fighting. For its actions the 22nd was “warmly commended at corps and army headquarters.” Colonel Kiddoo reported “my regiment… behaved in such a manner as to give me great satisfaction and the fullest confidence in the fighting qualities of colored troops.”[vi]

At New Market Heights in late September the 22nd served with the “most unflinching bravery”, according to the report of Captain Albert Janes. The regiment repeatedly charged and scattered the enemy on the 29th and repulsed their counter-attacks on the 30th.[vii] Responding, the regiment “delivered a most daring and impetuous charge” against the strong works of the enemy, but was repelled. Less than a month later the XVIII Corps struck the Richmond defences on the Charles City and Williamsburg roads. The black regiment once more led a charge with “great steadiness and courage”, but were again driven back. Lieutenant Colonel Ira Terry noted that some companies went to within a few yards of the enemy’s works. However, he blamed the failure on recruits absorbed by the regiment, who broke and ran whilst the regiment advanced. Terry concedes that these recruits “did well so far as they knew how, never having any drill of any account.”[viii]  The 22nd’s casualties in killed and wounded exceeded 100, amongst them Colonel Kiddo; severely wounded.[ix]

The men of the 22nd U.S.C.T. proved themselves as well-ordered and efficient citizen-soldiers; they were clearly capable of ensuring self-control. As some of the first troops to enter the Confederate capitol of Richmond on April 3, 1865, the regiment “rendered important service in extinguishing the flames which were then raging.” General Godfrey Weitzel, commander of the all U.S.C.T. XXV Corps to which the 22nd had been transferred to, selected the regiment to participate in the funeral ceremony of President Lincoln due to its “excellent discipline and good soldierly qualities”. The 22nd was involved in the efforts to capture John Wilkes Booth before proceeding in May to Texas, where it garrisoned posts along the Rio Grande before mustering out of service on the 16th of October, 1865 in Philadelphia.[x]

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David B. Bowser, ‘Sic Semper Tyrannis – 22nd Regt. US Colored Troops.’, photograph of regimental flag, Library of Congress, http://www.loc.gov/pictures/resource/cph.3a24164/

The regimental colours of the 22nd provide an example of an interesting and provocative piece of African American visual culture. African American David B. Bowser was a government-commissioned artist who designed several U.S.C.T regimental flags during the Civil War. The colours of the 22nd, along with others such as those of the 24th U.S.C.T., featured strong abolitionist iconography and sentiment. The 22nd’s flag is unique in that it displays an African American bayonetting a helpless white Confederate without mercy. Pro-slavery campaigners employed images of such uncontrolled black masculinity to heighten fears of emancipation held by whites. However, Bowser was an abolitionist who would paint John Brown’s portrait in 1865, and may not have been to adverse to aggressive policy in the fight against the southern slave-holding aristocracy. The white flag held by the prostrate Confederate could be interpreted as a flag of surrender. The image would be a response to the atrocities committed in instances, such as at Fort Pillow, when southern troops refused to take black soldiers prisoner. The flag acts as a declaration that the U.S.C.T would employ a similar approach.

Another possibility views the flag as a symbol of southern whiteness. The second national flag of the Confederacy, adopted in May 1863, bore the Confederate battle flag on a field of white. The editor of the Savannah Morning News had linked the use of white on this flag to the “peculiar institution.” He noted: “we are fighting to maintain the… supremacy of the white man over the inferior or colored races. A White Flag would be emblematic of our cause.”[xi] The 22nd’s flag also bears the motto Sic Semper Tyrannis (“Thus Always to Tyrants”). The flag appropriates the seal and motto of slave-holding Virginia (itself appropriated from Plutarch; supposedly declared by Caesar’s assassins); location of the Confederate capitol of Richmond. Employed in 1776 in defiance of British tyranny, it is utilised here by the black regiment to symbolise their own revolution against their white masters. It claims a semblance of the ideology of the Revolution that white northerners and southerners would attest to be the true heirs of throughout the conflict. The flag illustrates a yearning for entitlement to the benefits of republican citizenship through a revolutionary and turbulent trial.

The 22nd United States Colored Troops are notable for their ascension during the Civil War. From labourers employed in the construction of earthworks with the Army of the James, they rose to distinguished participation in the funeral ceremony of President Lincoln. The conduct of the soldiers was applauded repeatedly from the regimental to the corps level. Although it appears that their demeanour did not reflect the aggression implied on their regimental colours, the banner nevertheless attests to their determination in opposing tyranny in pursuit of liberty and the recognition of their worth as citizens.

With thanks to Michael Schaffner for his guidance and advice on this piece. 

[i] Frederick Douglass, ‘Men of Color, To Arms!’, (Rochester: New York, 1863), http://www.blackpast.org/

[ii] Daily Richmond Enquirer (Richmond, VA: August 1, 1864), quoted in Ervin L. Jordan, Jr., Black Confederates and Afro-Yankees in Civil War Virginia, (University Press of Virginia, 1995), p. 277

[iii] Samuel P. Bates, History of the Pennsylvania Volunteers, 1861-5: Prepared in Compliance with Acts of the Legislature, (Harrisburg, PA: B. Singerly, State Printer, 1869), p. 991

[iv] Bates, History of the Pennsylvania Volunteers, p. 991

[v] ‘The Attack On Petersburg.’, Philadelphia Enquirer (Philadelphia, PA: June 20, 1864).

[vi] ‘Number 277. Report of Colonel Joseph B. Kiddoo, Twenty-second U.S. Colored Troops, Second Brigade, of operations June 15.’, http://www.beyondthecrater.com/

[vii] ‘Number 331. Petersburg Campaign Report of Captain Albert Janes, Twenty-second U.S. Colored Troops, First Brigade, of operations September 29-30.’, http://www.beyondthecrater.com/

[viii] ‘Number 332. Petersburg Campaign Report of Lieutenant Colonel Ira C. Terry, Twenty-second U. S. Colored Troops, of operations October 27-28.’, http://www.beyondthecrater.com/

[ix] Bates, History of the Pennsylvania Volunteers, p. 991-2

[x] Ibid., p. 992

[xi] John M. Coski, ‘The Birth of the ‘Stainless Banner’.’, New York Times Opinionator, (May 13, 2013)

“I Wish I Had Been in the Case”: Portrait Photography, Federal Soldiers, and the Home Circle – Part II

The second part of an article on the Emerging Civil War Blog’s site on Federal soldiers and portrait photography. You may view it here.

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anonymous, ‘Unidentified soldier in Union uniform, unidentified woman, and unidentified baby’, 1861-1865, ninth-plate ambrotype, hand-coloured, Liljenquist Family Collection of Civil War Photographs (Library of Congress), http://www.loc.gov/pictures/resource/ppmsca.38355/?co=lilj

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